A group of young Nigerian friends living in Italy travels to Rome to watch a UEFA soccer match. For Eby this is the opportunity to see Nike, a girl he met only a while ago.

With its lively dances, ghost scenes and touching arias, Hamlet was Ambroise Thomas’s single great success of the Paris Opera, remaining in its repertoire for decades after the 1868 premiere. On the opening night, the title role was sung by a baritone, as has become the custom ever since. With the rediscovery of the original score in recent years, it transpires that Thomas originally scored the role of Hamlet for a tenor. In this new production of Teatro Regio Torino, the tenor John Osborn is the tormented prince, singing the celebrated monologue “To be or not to be” (“Être ou ne pas être”). Sara Blanch sings Ophélie, whose pyrotechnic aria in the mad scene is a pièce de résistance for a coloratura soprano. Under the musical direction of Jérémie Rhorer, the production is directed by Jacopo Spirei.

Peter Purves, Frazer Hines and Mark Strickson reminisce about their time as companions to the First, Second and Fifth Doctors respectively.

The opening ceremony for the XX Olympic Winter Games was held at the Stadio Olimpico in Turin, Italy on February 10th, 2006.

Maestro Riccardo Muti returns to the podium of the Orchestra and Chorus of the Teatro Regio di Torino for a new production of Macbeth directed by Chiara Muti. Set design by Alessandro Camera and costumes by Ursula Patzak.

Puccini’s operas are among the most beloved and best-known works in the classical repertoire, but Edgar may be unknown even to aficionados, at least as it is presented here. This original four-act version of Edgar, first performed in 1889, was believed lost for over a century when Puccini’s granddaughter Simonetta discovered the score fully intact in 2008. In addition to the third act’s funeral music, which Arturo Toscanini conducted at Puccini’s funeral in 1924, listeners may recognize the duet from the now-restored fourth act, cut by Puccini in subsequent revisions of the work: it bears more than a passing similarity to the third-act duet in Tosca.

A funny adventures of a group of boys during summer vacation.

Two boys let their imagination run wild in a barren desert, but the fun and games come to a shocking halt.

A story based on a few chapters from the classical "The Brothers Karamazov" novel by Fyodor Dostoevsky.

The story centers on six youngsters, who experience the downfalls of teenage life. The film conveys a message about the importance of a good education and career over other distractions, such as romance and sex.